'The Stand up Philosopher is Standing up for Freedom
Join him, because Freedom is worth standing up for'.
For me, some of the the joy of performing philosophy, lies in making tangible all the shifts in tempo and mood, that animate the great works of philosophy. If these works were really as they are sometimes seen to be, merely abstract arguments, which are as dry on the page, as they are difficult in the mind, I doubt philosophy would matter at all, or ever be studied. On the the contrary, it is the urgency of the writing, and fascination of thought as it changes its rhythm, sometimes mid-sentence, or runs across a gamut of emotions, which makes philosophy powerful and signficant. It is these then, the complex harmonies and melodies of thought, which the stand up show, by word and expression, aims to bring to the fore.
This is all the more the case when one is tracing a theme such as 'freedom' back across the ages. For in this case, the same idea has had many different aspects, moods, and even concepts attached to it. To follow such an idea is therefore to be caught in a wonderful theatre of the mind, where at one level, all is contrary ideas, and powerful passions; and yet, beyond all that tumult, lies always one great gathering theme, which is slowly becoming what it is, across the shifting arguments and passions.
It is then this passionate and complex development which I hope is caught both in the show itself, but also in the recent trailer-come-short-film we have made of the show. This trailer ought, I thought, to stand up itself, to ask its own questions, and tell its own story, and yet it must do so in the context of the show from which it was taken. But what it shares directly with the show is the same attempt to develop one great theme, across many changes in tempo and cadence, a theme that might remain, ethereal throughout, and yet all the same is clearly gathering its own relevance and force.